A couple of weeks ago we recorded the final version of a song Jamie (Nicholas Kato) and his housemate Jefferson (Alasdair Tremblay-Birchall) make up while drunk one night. The recording session was tons of fun and half the time Nathan, Al, and I were just laughing at how stupid the whole thing is. (Don't worry, it's actually supposed to be stupid.)
Over the past month or so I've spent a lot of time workshopping scenes with the actors and then rewriting them with Jack. I first started thinking about using a process like this back in 2007, so it feels really great to be finally giving it a go. The good news is that it works fantastically well!
For the past twelve months, Chris and I have been developing the script that has turned into PLAY IT SAFE. As the project now approaches the production phase, we occasionally remark with wonder that, "Hey, we're making a movie!" Though a lot of work remains - really, the bulk of it - to get to the finishing point, reflecting on the project's humble origins to the broad, collaborative task it has now become is quite inspiring.
In my last post, I talked about the main aim I had when I started this project. To put simply, I didn't have a particular vision or idea I want to realise. I just wanted to make a feature film! When Jack and I agreed to write the screenplay, we both knew that realising that (seemingly simple) and was going to be very challenging. Neither of us had written a feature length script before, and we both enjoyed procrastinating as much as the next writer. To combat this, we decided to set up a bunch of commandments or rules to help us along the way. We decided upon four main commandments to keep us on the straight and narrow, and then gradually added a bunch of other guidelines to help us with specific areas.
Over the next few months I'm going to do my best to not only keep you updated with our progress as we begin shooting Play It Safe, but to also fill you in on its development during 2011. The first step in charting our journey must be a discussion of the aims I had when I set out to make Play It Safe.
As I famously exclaimed to my co-writer Jack White one night back in early 2011: “If I’m doing things then I want to be doing them, not like not doing them!” In some ways this eloquent statement sums up what Play It Safe has been about from the beginning. Namely, I wanted to make a feature film!
After years of making short films and then music videos I needed a change. In late 2010 I decided to take a risk and make my first feature film. I also decided that I wanted to get it done as soon as possible. There were a few external factors in this, but primarily I just wanted to force myself to get it done. I'd heard many stories about films ending up in development hell, just gestating for years and years. I didn't want to go through that. I didn't have a concept that I was precious about and would give up anything to realise. I just wanted to direct a movie. If someone handed me a great script that I could direct on a micro-budget, then I would have just done it. Unfortunately that wasn’t really an option for me, so the next best thing was to just do it myself.
I love (and also loathe) writing, but it wasn't (and still isn't) my primary aim to work as a writer. I wanted work as a director. I wanted to make films. And any kind of screenplay that Jack and I were going to write needed to feed into that, regardless of how much we might want to write about explosions and dragons and all those other awesome things. I needed a screenplay that I could shoot as soon as possible! I wasn't interested in developing a spec script that I would probably never be able to sell or get funded.
That's what I meant when I said “If I’m doing things then I want to be doing them, not like not doing them!” I certainly could have put it better, but that sentiment has guided everything we have done since then. It might be fun to imagine a grand epic, but if it can't be realised with the resources we have then it's not a road we can go down. I've mentioned before that working with limitations can have a lot of benefits, and this has definitely been true with Play It Safe so far. Our focus on practicality has forced us to be really creative, and consequently I think that the final film will be a lot more nuanced and interesting than if we just threw in a few CGI dragons and explosions. (Although I guess you guys will be the final judge of that.)
That's all for today. Coming up soon will be the next stage: Defining some commandments that were essential in creating the screenplay.
Okay, just a quick update for today. (I'm trying to get into the habit of making short updates regularly instead of putting them off because they have to be long and detailed - we'll see how it goes.)
I just wrapped up a day of workshopping with Spencer that went really well. On the one hand, workshopping can be quite challenging - both for the actors, and for myself as the director. However, on the other hand, it's hard to call something that's this fun "work"...
With only a few working days left in the year, I think it's high time for another update on Play It Safe (especially since I may not get another chance to post again before January). So much has happened over the last few months, and I've really wanted to blog about it here regularly. Unfortunately, a documentary shoot I was on a couple of months ago caused a pretty serious flareup of my tendinitis and I haven't been able to type properly since then (consequently I'm actually writing this post using DragonDictate voice recognition, which I hope to review in the New Year). I'm about to head off for a couple of weeks of R and R before we start production early next year. Fingers crossed this will give my arms some more time to heal and I'll be back to blogging every week or so next year.
One of the best film-related decisions I’ve ever made was enlisting the help of my good friend, Jack White, in writing the screenplay for my first feature film. Without him, I really doubt whether this film would have ever gotten made.
In my office I’ve got whole boxes filled with drafts for novels, novellas, screenplays, all sorts of crap, that I start but never get around to finishing. A lot of this stuff hangs around for years. I might pull it out every now and again to have a look, but I usually end up shoving it back in its box despondently. It’s a pretty terrible thing to see the result of years and years of work in such a scrappy state and know deep down that most of it is never going to see the light of day.